three hits in chelsea

If you follow my blog, you probably know that I’m a bit of a photo groupie. Can I just say how much I loved going out last night in Chelsea and running into pretty much everyone I know and admire. Something to be said about community. Managed to get to three photo openings. Throw in a little Bravo reality TV (following around Ruben Natal San Miguel last night) and you got yourself one hell of a night! Here’s a glimpse at the three openings.

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Summer Staged @ the Foley Gallery (group show)

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Jesse Burke’s Intertidal @ Clamp Art

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Will Steacy’s Down These Mean Streets @ Michael Mazzeo

Jesse Burke’s and Will Steacy’s solo shows were impressive and both beautifully printed! I was familiar with both bodies of work beforehand (i think i’ve already blogged about both actually), but there’s something to be said in seeing the whole body together, edited, printed and hung that just brings it to a whole new level. Definitely worth going to the galleries to see these in person.

Here are a few favorites from each series.

Intertidal: The idea of masculinity is so incredibly fragile, so sought after and lusted for, because of what it stands for, because of the history of men. There is a delicate balance that exists between the heroic idea of masculinity and the true reality of men. This work is an autobiographically driven investigation into the presence of vulnerability and sensitivity that act as forces against the mythology of male dominance and strength. I photograph my life and the lives of the men in my social and family circles in an attempt to understand from where our ideas of masculinity originate. I am most drawn to the moments that are representative of vulnerability or emasculation; where there is a presence of a rupture or wound inflicted in some way, whether it be physical, emotional, or metaphorical. I employ concepts such as male bonding and peer influence, masculine rites and rituals, homosocial desire, physical exertion, and our connection to one another as well as the landscape that we interact within to expose these instances.

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Julie Blackmon

Just got sucked into the world of Julie Blackmon as I listened to an artist talk of her’s on her gallery’s website. As someone who enjoys photographing family, I’m completely drawn to this simultaneously real and fictional life that she brings us into.

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College!

Went out to Princeton a few weeks ago for their spring fling event, which I believe they call their ‘lawn parties’. My uber talented and all around awesome friend, Jackson Greenberg, a Princeton soon to be junior had the honor of opening for the Roots with his band Shape Machine. It was a gorgeous day, the people watching was simply phenomenal and I happened to have my camera with me.

E voila!

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To see more, go here.

My Pal

So I just realized that I actually haven’t shared any images from this new series I’ve been working on since last summer. I’ve been looking at and editing these images all throughout the year, but haven’t posted any yet.  As you may be able to tell, this series is an extension of my self portraiture focusing on images of my sister, Paloma, and I. She is a teacher out in San Fransisco, so the summer months is the only time when we actually get to spend a decent amount of time together. As I’m gearing up for this summer now, I thought it be a good time to get them out before I have a whole new batch of images to add.

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one more

this ones just for fun

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A new self portrait

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shot this yesterday in anticipation for a self portrait class with Elinor Carucci next week!

Flash Forward

Thought I’d share some good news. Recently found out that I am among the winners of this years Flash Forward competition run by the Magenta Foundation. Emerging photographers from Canada, the UK and the US were selected and will be featured in an upcoming publication as well as partake in the upcoming festival to be held in Toronto in October.

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Emerging Photographers from Canada, United Kingdom and United States
October 6–10, 2010

The Flash Forward Festival is an international five-day biennial event launching in Toronto’s Liberty Village from October 6–10, 2010. The Flash Forward Festival is an extension of The Magenta Foundation’s successful annual emerging photographers competition, Flash Forward. The competition was established as a platform to promote emerging artists and has positioned itself as the critically important vanguard for introducing international emerging talent to a global audience.

The Flash Forward competition receives highly favourable international coverage and is considered to be one of the most important emerging art incubators in the world

The Magenta Foundation’s Flash Forward Emerging Artist Program once again does what its name implies: it freezes a brief moment in time, preserving it for closer inspection and demonstrating the promise of what is to come in the international photography community.

— Boston Globe, 2008

In the past five years Flash Forward has helped to launch the careers of more that 500 photographers from Canada, the UK, and the USA. By introducing a biennial festival component to the annual competition, The Magenta Foundation will continue its mission to educate and promote the art stars of tomorrow.

Flash Forward’s mission is to showcase the future of photography, focusing on emerging talent identified by renowned jurors as having great potential. The biennial festival will provide an in-depth experience for emerging photographers through educational and networking opportunities including events with collectors/arts enthusiasts and industry professionals (academics, gallerists, media/art directors and photo editors). The festival will include five curated exhibitions — representing the three host countries plus one guest country invited to showcase their best emerging photographers — as well as workshops, a lecture series, nightly events, an art fair and a major closing event that will be filmed and transmitted globally.

Tiana

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Parlour Games

A few images from a recent performance by the Tze Chun Dance Company.

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The G-Chat with Rafael Soldi

jesus The G Chat with Rafael Soldi

This is Rafael

1:16 PM me: ok! ready? rafaelsoldi: yes!1:17 PMme: to start off, just give us a little background information 1:19 PMrafaelsoldi: I was born and raised in Lima, Peru. I moved to the US in 2004 and studied Photography and Curatorial Studies at The Maryland Institute College of Art… now I live and work in NYC me: what’s the photo scene in peru like?1:20 PM or any peruvian photographers you admire?1:22 PM rafaelsoldi: The art scene in Peru is very different from here. In all honesty I don’t go back very often and I’m not very involved with it…. rafaelsoldi: I have a number of very talented photographer friends here who are peruvian tho1:23 PM and there is Mario Testino, probably one of the most famous fashion photographers in the world, who is peruvian me: so from Peru to Maryland. why The Maryland Institute College of Art? was it the program?1:24 PM rafaelsoldi: I was living in D.C. at the time because my dad was a diplomat. I was just graduating high school and photography was my only interest…. I looked at MICA, because it was 30 minutes away. And eventually I got in but 1:25 PMI did not know or understand American culture, so I only applied there and only there. And luckily I got in! I didnt know you were supposed to apply to more than one schoolme: haharafaelsoldi: In peru you choose one, and you better get in!1:26 PM but In retrospect, I dont think I couldve gone to a better schoolme: :) tell me a bit about curatorial studies, what kinds of things did you do?1:27 PM rafaelsoldi: The curatorial studies at MICA is a fairly new programs that has been doing phenomenal stuff.I studied with George Ciscle, the founder of the Contemporary Museum1:28 PM The core of the program is a class called “Exhibition Development Seminar (EDS)”in which a small group of students (12) conceive, plan, execute, and follow up on a large scale exhibitionit is an epic undertaking1:29 PM me: sounds amazingrafaelsoldi: in my casewe planned a huge retrospective exhibition for Laure Drogoul, a legendary Baltimore sculptor.1:30 PM it included 3 giant exhibition spaces, two outdoor larger-than-life installations, over 10 public programs, 3 performancesand we worked on it for an entire year.1:31 PM me: thats unbelievable, such an incredible experience to have under your belt1:32 PM was it a success?rafaelsoldi: absolutely. Every EDS project has been huge success… George Ciscle is kind of a genius.1:33 PM me: post college- was moving to nyc always in the picture?rafaelsoldi: yes1:34 PM me: when people ask you what do you shoot, (as they all do!) how do you respond?rafaelsoldi: omg.. haha!i never know what to say!me: i know!rafaelsoldi: I usually say I love peopleand leave it at thatme: me too!!!1:35 PM as someone who takes a lot of self portraits, i find your work extremely personal- from dealing with your own identity, to studying your family. people ask me all the time why i take self portraits, so id like to ask you- why do you photograph what’s so close to you?

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self portrait from the series ‘the point at which’

1:36 PM rafaelsoldi: I think I do because in a lot of ways photography is the only thing that has allowed me to explore and understand those issues. Its kind of therapeutic in a way…I used to be very against self portraits… of myselfI really felt uncomfortable in front of the camera1:37 PMbut it wasn’t until I did some that something else entirely opened upme: omg! we are one and the same, hehe, i always tell people its therapeutic!1:38 PM rafaelsoldi: yeah… I dont do them a lot. But there are times where I’m racking my brain to figure out how to photograph something else entirely that will represent what I’m feeling inside…1:39 PM and then I realize that I’m the only one who can do that…Im the best representation of what that feeling isme: love itso is the series ‘the point at which’ completed?rafaelsoldi: I dont think it will ever be1:40 PM me: of courserafaelsoldi: its a diary of my lifeme: do you remember the first photograph you ever took?1:41 PM rafaelsoldi: I don’t remember the first picture I ever took, but I remember the first time I took a photograph and treated it as such1:43 PM I was maybe 12 and I went on a school field trip to some ancient Inca ruins. My mom gave me her camera and a roll of 12 exposures. I was so amazed by the beauty of the ruins (at the time I wanted to be an archeologist like my grandma), that something took over me and I decided that this beautiful landscape had to be immortalized in a picture.I dont think I thought of it that way then, but I knew I needed to photograph it in a serious way. Which is kind of funny.1:44 PM So I waited for all my friends to move so I could get just the perfect shotme: do you still have that image?1:45 PMrafaelsoldi: no.. I wish!me: is there a favorite image of yours on your site?rafaelsoldi: I think the image of my then-boyfriend and I in a bay window (“Embrace”) was a turning point in my photographic life

embrace The G Chat with Rafael Soldi

embrace

1:46 PM me: so beautifulrafaelsoldi: I love the image and it was my first “bold” picture…it gave me a lot of confidencethank you :) me: lets get technical for a sec- what are you willing to share?1:47 PM rafaelsoldi: as far as my set up?me: camera? lights? processing..rafaelsoldi: sureI’m actually quite primitive1:48 PM I only use natural lightbecause strobes scare meand I shoot with an old Bronica 6451:49 PM me: strobes can be very scary, haharafaelsoldi: I process my film and scan it and print digitallyme: much post processing?1:50 PM rafaelsoldi: not really…. usually just clean up the dust. I will edit something if I think It’ll make it a better picture, more effective. for examplethat “Embrace” Picture – the space in it looks huge, but it was a very tiny room and I had to shoot with a wide angle lens that distorted everything1:51 PM so I played with the perspective so everything would be straight and centeredbut generally I dont mess around with it too muchme: do you shoot any editorial/commericial work, or do you stick strictly to fine art?1:53 PMrafaelsoldi: I dont really do editorial work… it makes me nervous, so I stick to my own stuff. I do love portraiture and I would be happy to do portrait work for a magazine that appreciates a more artistic take on itme: Is there anybody or anything you would love to photograph?1:54 PM rafaelsoldi: thats a tough question… hmm1:55 PM I think I’d just love to continue to photograph the world around me. I still love danceme: i know! i was just asked that in an interview and took me forever to answerthen im like, why is this so hard for me??rafaelsoldi: i know!1:56 PM me: other photographers you admire?1:57 PM rafaelsoldi: oh plenty. My all time favorite is Harry Callahan… so simple, so elegant. Very dead on compositions… his love for his wife Eleanor is so evident.I also love Abelardo Morell…I get to work with him quite a bit because I work at his gallery.. and he is a terrific person and hell of an example for photographers out there1:58 PMme: i saw on your blog you love andrea modica, i just got into introduced to her work a few months ago and love it of course2:00 PMrafaelsoldi: yes! She studied with one of my mentors/favorite people ever, Regina Deluise…. and I really love her work. She also was taught by Jed Devine, who is a master of the palladium process and has insipired so many people…. he is incredibly unappreciatedhes such an unsung herome: ooh dont know him, will have to look upon your website bio you write that you are interested in providing professional development opportunities for other young photographers, can you tell me somethings you have done, or other ideas you might have for this2:01 PMrafaelsoldi: oh yes!this is a huge passion of mine.At this age there is only so much I can do for fellow photographers. given that I’m also just learning2:02 PM I recently curated a show at Farmani Gallery titled Select Gender and I was able to give the opportunity to many young artists to show in NY for the first time2:03 PM they go great press and there is an artist Panel coming up on May 15thand I also put together a big Haiti Benefit Print Sale that raised $10,000 and also gave a lot of exposure for emerging photographersme: yes, as you know, im a HUGE fan of the showrafaelsoldi: thanks :)

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2:04 PM me: for being so young, you have already accomplished quite a lot! whats next?2:05 PM rafaelsoldi: thanks! next up is… just keep moving! haha… I just want to continue making my work, meeting wonderful people and then doing graduate school in a couple of years2:07 PM me: still trying to figure it all out

2:08 PM alright, this is awesome!thanks for the time2:11 PM rafaelsoldi: thanks!!

To view more of Rafael’s work, check out his website.